Matthew Reason

Welcome

MATTHEW REASON-smaller

Matthew Reason is Professor of Theatre and Director of the Institute for Social Justice at York St John University.

This site incorporates an incomplete archive of projects.

Current Projects

“I’m Me”: Peer and Creative Research with Learning Disabled and Autistic Artists

I’m Me is an AHRC funded project lead by Professor Matthew Reason that will work with learning disabled and autistic artists as peer and creative researchers to explore questions of … Continue reading

Routledge Companion to Audiences and the Performing Arts

Edited by Matthew Reason, Lynne Conner, Katya Johanson and Ben Walmsley. Forthcoming 2021. Without an audience there is arguably no performance. Yet for a long time the serious and systematic … Continue reading


Projects Archive

A portfolio of research and practice in the areas of audiences, narrative, theatre and dance.

“I’m Me”: Peer and Creative Research with Learning Disabled and Autistic Artists

I’m Me is an AHRC funded project lead by Professor Matthew Reason that will work with learning disabled and autistic artists as peer and creative researchers to explore questions of … Continue reading

5 Soldiers Audience Research

5 Soldiers, by the Rosie Kay Dance Company, is a contemporary dance performance that looks at how the human body remains essential to war, even in the 21st century. In … Continue reading

Drawing and Audience Research

Drawing is at once immediate, and yet takes time. The marks on paper – pencil, crayon, ink, pen – appear instantly, they are real and absolute, but the process as … Continue reading

The Young Audiences – Japanese Translation & New Forward

Thanks to the hard work and dedication of Kaori Nakayama, my book The Young Audience has been translated and published in Japanese (2018). To mark this publication the book has … Continue reading

Kinesthetic Empathy in Creative and Cultural Contexts

Intellect, 2014 Edited Dee Reynolds and Matthew Reason A key interdisciplinary concept in our understanding of social interaction across creative and cultural practices, kinesthetic empathy describes the ability to experience … Continue reading

Storyknowing

Storyknowing describes a series of activities, workshops, articles and conferences explores how we know in and through story. For two years between 2013-15, the International Centre for Arts and Narrative … Continue reading

Suitcase Stories

Suitcase Stories is a Natural Environment Research Council (NERC) funded public engagement project that used storytelling to explore climate adaptation with young people. When we talk about climate change and … Continue reading

Doodle Book (part 1)

The Doodle Book was developed through the course of 2019/20 in collaboration with Mind the Gap, artist Brian Hartley and a group of learning-disabled artists. The objective was to create … Continue reading

Photography & the Representation of Kinesthetic Empathy

Matthew Reason with photographs by Chris Nash Photography has long been utilised as a medium that allows us to capture, see and reflect upon the world around us. This is … Continue reading

Routledge Companion to Audiences and the Performing Arts

Edited by Matthew Reason, Lynne Conner, Katya Johanson and Ben Walmsley. Forthcoming 2021. Without an audience there is arguably no performance. Yet for a long time the serious and systematic … Continue reading

Video Interview, Deakin University (Aus)

During a conference in Melbourne in March 2018, Anne Kershaw of Deakin University asked me to do a video interview for their PG arts management students. Questions: Tell us about … Continue reading

Interactive Mind Map

Qualitative audience research frequently produces large amounts of unruly data. For myself the process of beginning to make sense of or find routes through the unordered mass of material that … Continue reading

Researching with plasticine

Does giving children plasticine help when interviewing them about watching dance? I have previous used visual arts workshops with groups of spectators to explore their experiences of dance and theatre. … Continue reading

Creative Writing and Audience Research

After watching a dance performance with friends we often leave the theatre and find ourselves asking each other, ‘What did you think?’ Or perhaps, alternatively, ‘Did you enjoy it?’ That … Continue reading

Talking About Theatre

Talking About Theatre consists of a series of booklets designed to facilitated children and young people’s post-show conversations about theatre and dance. Operating through a series of questions or instructions, … Continue reading

Applied Practice: Evidence and Impact in Theatre, Music and Art

Applied Practice: Evidence and Impact in Theatre, Music and Art engages with a diversity of contexts, locations and arts forms – including theatre, music and fine art – and brings … Continue reading

Archive, Empathy, Memory

Archive, Empathy, Memory: The Resurrection of Joyce Reason   This paper uses the prism of archival, ancestral research to consider the nature of our relationship to the lives of the … Continue reading

Documentation, Disappearance and the Representation of Live Performance

Palgrave, 2006 The documentation of practice forms one of the principal concerns of performance studies, provding an ongoing dilemma for theorists and practitioners alike who at once celebrate the ephemerality … Continue reading

Resources for Schools and Teachers

As a result of the collaborative partnership with Imaginate, and developing from the research into how children watch theatre, two resources were produced designed to help school classes enhance their … Continue reading

Watching Dance: Kinesthetic Empathy

The Watching Dance project used qualitative audience research and neuroscience to explore how dance spectators respond to and identify with dance. It was a multidisciplinary project, involving collaboration across four … Continue reading